On the verge of death for the umpteenth time, Anna (Linda Lavin) makes a shocking confession to her grown children: an affair from her past that just might have resonance beyond the family. But how much of what she says is true? While her children try to separate fact from fiction, Anna fights for a legacy she can be proud of. With razor-sharp wit and extraordinary insight, Our Mother's Brief Affair considers the sweeping, surprising impact of indiscretions both large and small.
Fortunately, one couldn't imagine a better Anna than Lavin, who's still a stunner at 78...and can stop a show with a mere raise of her eyebrow. Moreover, she can pull off a sitcom-territory line like, 'His arms came around me, strong and soft. He was wearing Aramis.' Late in the play, Greenberg rewards Lavin with a meaty memory-within-a-memory monologue...But such sudden, overwhelming sadness is too much, too late. A Richard Greenberg play at Manhattan Theatre Club is theatrical comfort food; this is his 11th MTC production. Somehow, Our Mother's Brief Affair got overcooked. C
It takes some doing to stifle the prickly humor of Linda Lavin, but Our Mother's Brief Affair makes her character both an unreliable narrator and one who's astringent to the point of unpleasantness...A madly overworked but underdeveloped little piece, it mistakes narration for dramatization, and verbiage for genuine feeling...Greenberg has reached for the elusive links between past, present and future before, in richer and more compelling ways. And while Meadow's actors are all quite accomplished, they struggle to find any heart in characters so unrelentingly 'written' that it sucks the life out of them, giving us no reason to care.
2015 | Broadway |
Manhattan Theatre Club Original Broadway Production Broadway |
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