On the one hand, Lally Katz has been writing the funniest and most original plays in the country for the last decade – Neighbourhood Watch, for example. On the other hand, Katz, Oscar Wilde-like, has been putting her genius into her life and only her talent into her work. Now the inevitable moment has come when the two must collide.
The thing is – and this is a true story – Katz was supposed to write us a play about a fortune teller. But she spent her commission (and then some) actually going to a fortune teller. In New York. More than once. This is the story of what Katz has been doing instead of writing a play. It features Katz, on her own, as herself, channelling the stories of the many psychics, alchemists and taxi drivers who have tried to show her the way.
Anyone who’s met her will know that the word ‘irrepressible’ has nothing on Katz, even at her quietest. She makes chaos charming and catastrophe positively exuberant. She likes to be laughed at, and her method is to talk first and think later. Anything could happen. Seriously. ANYTHING COULD HAPPEN. It’s Lally Katz!
Videos
Hayley Sproull: Wild Flutters
The Greek (4/8 - 4/20) | ||
Beetlejuice
Regent Theatre (5/17 - 6/29) | ||
Midsumma 2025: CODED
Abbotsford Convent (1/23 - 1/25) | ||
Promising Young Mensch
The Motley Bauhaus - Cabaret Stage (3/24 - 4/6) | ||
Guy Williams; If you midly criticise me I’ll say its cancel culture and turn to the alt right
Morris House - Basement Comedy Club (3/27 - 4/20) | ||
Shirley Valentine
Athenaeum Theatre (1/30 - 2/16) | ||
FROCK A WHANAUNGATANGA
Bunjil Place (12/8 - 3/9) | ||
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