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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
& JULIET (STEPHEN SONDHEIM) |
$1,202,915 | $1,202,915 | $151 $378 |
7,976 | 8,208 | 8 | 97.20% |
A WONDERFUL WORLD: THE LOUIS ARMSTRONG MUSICAL (STUDIO 54) |
$705,925 | $705,925 | $107 $287 |
6,619 | 7,976 | 8 | 83.00% |
ALADDIN (NEW AMSTERDAM) |
$1,467,548 | $1,467,548 | $111 $250 |
13,203 | 13,816 | 8 | 95.60% |
ALL IN: COMEDY ABOUT LOVE (HUDSON) |
$1,046,514 | $1,046,514 | $216 $425 |
4,840 | 4,840 | 5 | 100.00% |
BACK TO THE FUTURE: THE MUSICAL (WINTER GARDEN) |
$1,115,343 | $1,115,343 | $102 $267 |
10,935 | 11,824 | 8 | 92.50% |
CABARET AT THE KIT KAT CLUB (AUGUST WILSON) |
$1,192,168 | $1,192,168 | $152 $599 |
7,859 | 8,560 | 8 | 91.80% |
CHICAGO (AMBASSADOR) |
$869,878 | $869,878 | $105 $237 |
8,296 | 8,640 | 8 | 96.00% |
CULT OF LOVE (HAYES) |
$315,283 | $315,283 | $85 $246 |
3,703 | 4,067 | 7 | 91.00% |
DEATH BECOMES HER (LUNT-FONTANNE) |
$1,475,403 | $1,475,403 | $124 $299 |
11,942 | 11,928 | 8 | 100.10% |
ELF (MARQUIS) |
$2,033,784 | $2,033,784 | $169 $379 |
12,033 | 12,800 | 8 | 94.00% |
EUREKA DAY (FRIEDMAN) |
$230,425 | $230,425 | $52 $299 |
4,391 | 5,144 | 8 | 85.40% |
GYPSY (MAJESTIC) |
$1,818,235 | $1,818,235 | $148 $447 |
12,321 | 12,720 | 8 | 96.90% |
HADESTOWN (WALTER KERR) |
$904,327 | $904,327 | $124 $249 |
7,315 | 7,344 | 8 | 99.60% |
HAMILTON (RICHARD RODGERS) |
$2,177,119 | $2,177,119 | $205 $419 |
10,606 | 10,592 | 8 | 100.10% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
HARRY POTTER AND THE CURSED CHILD (LYRIC) |
$1,294,998 | $1,294,998 | $118 $269 |
10,964 | 12,976 | 8 | 84.50% |
HELL'S KITCHEN (SHUBERT) |
$1,487,941 | $1,487,941 | $132 $323 |
11,256 | 11,656 | 8 | 96.60% |
LEFT ON TENTH (JAMES EARL JONES) |
$448,492 | $448,492 | $104 $267 |
4,307 | 8,520 | 8 | 50.60% |
MAYBE HAPPY ENDING (BELASCO) |
$764,022 | $764,022 | $101 $297 |
7,547 | 7,904 | 8 | 95.50% |
MJ THE MUSICAL (NEIL SIMON) |
$1,627,048 | $1,627,048 | $158 $349 |
10,306 | 11,096 | 8 | 92.90% |
MOULIN ROUGE! THE MUSICAL (AL HIRSCHFELD) |
$1,336,128 | $1,336,128 | $134 $349 |
9,937 | 10,400 | 8 | 95.50% |
OH, MARY! (LYCEUM) |
$1,222,414 | $1,222,414 | $171 $371 |
7,138 | 7,160 | 8 | 99.70% |
OUR TOWN (ETHEL BARRYMORE) |
$866,048 | $866,048 | $122 $347 |
7,086 | 8,480 | 8 | 83.60% |
ROMEO + JULIET (CIRCLE IN THE SQUARE) |
$972,653 | $972,653 | $149 $575 |
6,517 | 6,352 | 8 | 102.60% |
SIX (LENA HORNE) |
$904,700 | $904,700 | $124 $279 |
7,323 | 8,248 | 8 | 88.80% |
STEREOPHONIC (GOLDEN) |
$865,394 | $865,394 | $140 $348 |
6,173 | 6,224 | 8 | 99.20% |
SUFFS (MUSIC BOX) |
$1,051,569 | $1,051,569 | $133 $348 |
7,903 | 7,784 | 8 | 101.50% |
SUNSET BLVD. (ST. JAMES) |
$1,900,668 | $1,900,668 | $154 $549 |
12,329 | 12,848 | 8 | 96.00% |
SWEPT AWAY (LONGACRE) |
$657,500 | $657,500 | $81 $248 |
8,096 | 8,144 | 8 | 99.40% |
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,228,417 | $1,228,417 | $146 $449 |
8,416 | 8,528 | 8 | 98.70% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
THE GREAT GATSBY (BROADWAY) |
$1,568,955 | $1,568,955 | $137 $524 |
11,481 | 11,880 | 8 | 96.60% |
THE HILLS OF CALIFORNIA (BROADHURST) |
$409,445 | $409,445 | $77 $327 |
5,345 | 9,400 | 8 | 56.90% |
THE LION KING (MINSKOFF) |
$2,497,970 | $2,497,970 | $187 $325 |
13,341 | 13,568 | 8 | 98.30% |
THE NOTEBOOK (SCHOENFELD) |
$1,094,299 | $1,094,299 | $132 $269 |
8,279 | 8,136 | 8 | 101.80% |
THE OUTSIDERS (JACOBS) |
$1,587,269 | $1,587,269 | $190 $497 |
8,373 | 8,192 | 8 | 102.20% |
THE ROOMMATE (BOOTH) |
$501,496 | $501,496 | $93 $297 |
5,387 | 6,176 | 8 | 87.20% |
WICKED (GERSHWIN) |
$2,878,086 | $2,878,086 | $187 $350 |
15,408 | 15,408 | 8 | 100.00% |
TOTAL | $43,720,381 | $1,214,455 | $138.82 $353.81 |
314,951 | 337,539 | 284 | 93.31% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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