Penelope Wilton (Downton Abbey, Ever Decreasing Circles) and Luke Evans (Beauty and the Beast, Nine Perfect Strangers) star in Marcelo Dos Santos’ hilarious new comedy Backstairs Billy, directed by Tony and Olivier award-winning director Michael Grandage.
1979. Inside Clarence House, The Queen Mother’s receptions are in full swing and the champagne is flowing. Guiding the proceedings is William ‘Billy’ Tallon, holder of the royal corgis and Her Majesty’s loyal servant.
Outside, strikes are bringing the country to its knees and Britain is on the verge of changing seismically under Margaret Thatcher. These two worlds are about to collide with dizzying consequences… Book your royal appointment today.
__Access Performances__
Captioned: 23rd November 7.30pm
Audio Described: 29th November 7.30pm
BSL: TBC
There's something gleefully subversive about Dos Santos’s script and Grandage’s bouncy production, which makes it compelling. It’s harder-edged than the simple, ‘joyful comedy’ about an odd-couple friendship that it’s promoted as in the accompanying blurb. Sure, at one level, it does what you might expect from the glut of royal rehabilitation stories we’ve seen on TV and film. It has some great one-liners, gives us a roll call of colourfully eccentric or over-privileged people to laugh at… and there are actual corgis.
The performances could not be better. I last saw Evans on this same stage in Rent Remixed, but nothing in my experience of him so far suggested the layers of feeling that he brings to this sleekly coiffed purveyor of bravado whose ego gets rather dramatically punctured. Time away from theatre may have made Evans a film name, but seems also to have amplified his connection to the stage. Wilton returns often to the theatre and deserves credit for a portrait that is light on its feet, not least in the various scenes in which the Queen Mother and Billy come together to dance. (Note a fascinating programme interview between the costume designers about capturing the necessary sartorial look.) Entirely aware of 'people like you' (that's to say, gay), the Queen Mother is all tolerance, but only up to a point. And those who might dismiss Backstairs Billy as so much heightened gossip would do well to heed its warning about societal divides that on this evidence can never be breached.
2023 | West End |
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