Tammy Faye - Broadway Creative Team

Graham's first professional play, Albert's Boy, was produced by the Finborough Theatre in west London, where Graham became playwright-in-residence. His first major play This House was commissioned by the Royal National Theatre, where it was critically and commercially acclaimed, transferred to the larger Olivier Theatre, and was nominated for the Olivier Award for Best New Play. This House was revived in 2016 and ran for two years, first in the West End and then on a national tour. He wrote the book for the Broadway musical Finding Neverland, and two of his own plays, Privacy and Ink (for which he received ... read more Acclaimed by critics and musicians, particularly for his work during the 1970s, his music and showmanship have had a significant, lasting impact on the music industry. His songwriting partnership with lyricist Bernie Taupin is one of the most successful in history. John was raised in Pinner and learned to play piano at an early age, winning a scholarship to the Royal Academy of Music, where he studied for five years. He formed the blues band Bluesology in 1962, but left in 1967 to embark on a solo career and met Taupin that same year. For two years, they wrote songs for ... read more NEIL AUSTIN was the recipient of the 2019 Tony Award for Ink (Friedman); the 2018 Tony, Drama Desk, and Outer Critics Circle Awards for Harry Potter and the Cursed Child (Lyric); and the 2010 Tony and Drama Desk Awards for Red (Golden). He was also awarded the 2017 and 2011 Olivier Awards for Harry Potter and the Cursed Child (Palace, West End) and The White Guard (National, London). His Broadway credits include Ink, Travesties, Hughie, Cat on a Hot Tin Roof, Evita, Red, Hamlet, The Seafarer and Frost/Nixon. Other work in the U.S. includes Harry Potter and the Cursed Child ... read more BUNNY CHRISTIE is an international Production Designer. This year, she was awarded an OBE and won her fourth Olivier Award for Best Design for the London production of Company. She previously worked with Marianne Elliott when she designed the visually stunning production of The Curious Incident of the Dog in the Night-Time, which has been seen and loved all over the world, and for which she won a Tony Award. She recently devised a version for UK schools, giving many students their first experience of live theatre. Previous work in New York includes Ink, for which she was nominated for ... read more Gardner also serves as casting director for the Roundabout. Broadway: The Book of Mormon; Bloody, Bloody Andrew Jackson; American Idiot; Spring Awakening (also national tour), Mrs. Warren's Profession, The Philanthropist, A Man For All Seasons, Les Liaisons Dangereuses. Off-Broadway: Tigers Be Still, The Language Archive, The Burnt Part Boys, Ordinary Days, The Understudy, The Language Of Trees, Distracted, Speech & Debate, Marriage of Bette & Boo, The Overwhelming, 10 Million Miles. ... read more Goold is the Almeida Theatre's Artistic Director where he has directed Shipwreck, Albion, INK (transferred to the West End), Richard III, Medea, The Merchant of Venice, King Charles III (West End, Broadway, U.K. and international tour) and American Psycho (also Broadway). He was Artistic Director of Headlong from 2005 until 2013 where his work included The Effect, Enron, Earthquakes in London and Decade. Other credits include Made in Dagenham (West End) and Macbeth (Chichester Festival Theatre, West End and Broadway). He has twice been the recipient of the Laurence Olivier Award for Best Director. On film, he directed True Story ... read more Graham's first professional play, Albert's Boy, was produced by the Finborough Theatre in west London, where Graham became playwright-in-residence. His first major play This House was commissioned by the Royal National Theatre, where it was critically and commercially acclaimed, transferred to the larger Olivier Theatre, and was nominated for the Olivier Award for Best New Play. This House was revived in 2016 and ran for two years, first in the West End and then on a national tour. He wrote the book for the Broadway musical Finding Neverland, and two of his own plays, Privacy and Ink (for which he received ... read more Acclaimed by critics and musicians, particularly for his work during the 1970s, his music and showmanship have had a significant, lasting impact on the music industry. His songwriting partnership with lyricist Bernie Taupin is one of the most successful in history. John was raised in Pinner and learned to play piano at an early age, winning a scholarship to the Royal Academy of Music, where he studied for five years. He formed the blues band Bluesology in 1962, but left in 1967 to embark on a solo career and met Taupin that same year. For two years, they wrote songs for ... read more Katrina Lindsay's recent costume design credits include Bend It Like Beckham at the Phoenix Theatre (Olivier nomination for Best Costume Design), wonder.land for MIF and the National Theatre and American Psycho for the Almeida Theatre and Broadway (Outer Critics Circle and Drama Desk nominations for Best Costume Design). She designed costumes for Lyndsey Turner's production of Hamlet at the Barbican with Benedict Cumberbatch in the title role. She has also designed costumes for many operas including Terry Gilliam's productions of Damnation of Faust and Benvenuto Cellini for the ENO, which have been performed around the world. As a set and ... read more Finn Ross trained at Central School of Speech and Drama and designs video for live performance. He has won two Olivier’s, a Tony and three Drama Desk awards. Theatre credits include: Jagged Little Pill (Broadway); Sweet Charity (Donmar); A Very, Very, Very Dark Matter (The Bridge); Frozen (Broadway); Mean Girls (Broadway); Bat out of Hell (West End and International); Harry Potter and the Cursed Child (West End and Broadway); Curious Incident of the Dog in the Night-Time (Broadway, West End and UK Tour); Dusty (Touring); In the Body of the World and The Crossing (American Repertory Theatre & Broadway); American Psycho ... read more